September 20, 2010
Digital Humanities Labs and Undergraduate Education
Over the past few months I was lucky enough to do research in Stanford’s Spatial History Lab. Founded three years ago through funding from the Andrew Mellon Foundation, the lab was grown into a multi-faceted space for conducting different projects and initiatives dealing with spatial history. Having worked in the lab as a graduate affiliate over the past nine months as well, I can attest to what a fantastic environment it provides: computers, a range of software, wonderful staff, and an overarching collaborative setting. There are currently 6-8 ongoing projects in various stages at the lab under the direction of faculty and advanced graduate students, which focus on areas ranging from Brazil to Chile to the American West. Over ten weeks this summer, eight undergraduate research assistants worked under these projects. I had the opportunity to work alongside them from start to finish, and came away fully convinced of the potential for this kind of lab setting in furthering undergraduate humanities education.
The eight students ranged from freshman to the recently-graduated, who majored in everything from history to environmental studies to computer science. Some entered the program with technical experience of ArcGIS software; others had none. Each of them worked under an existing project and were expected to both perform traditional RA duties for the project’s director and also develop their own research agenda for the summer. Under this second track, they worked towards the end goal of producing an online publication for the website based on their own original research. Led by a carefully-planned curriculum, they each selected a topic within the first few weeks, conducted research during the bulk of the summer, went through a draft phase followed by a peer-review process, and rolled out a final publication and accompanying visualizations by the end of the ten weeks. Although not all of them reached the final point of publication at the end of that time, by the final tenth week each of them had produced a coherent historical argument or theme (which is often more than I can say about my own work).
The results were quite impressive, especially given the short time frame. For instance, rising fourth-year Michael DeGroot documented and analyzed the shifting national borders in Europe during World War II. Part of his analysis included a dynamic visualization that allows the reader to see major territorial changes between 1938-1945. DeGroot concludes that one major consequence of all of these shifts was the creation of a broadly ethnically homogenous states. In “Wildlife, Neoliberalism, and the Pursuit of Happiness,” Julio Mojica, a rising junior majoring in Anthropology and Science, Technology, and Society, analyzed survey data from the late twentieth-century on the island of Chiloé in order to examine links between low civic participation and environmental degradation. Mojica concludes that reliance on the booming salmon industry resulted in greater tolerance for pollution, a pattern that manifested itself more strongly in urban areas. As a final example, senior history major Cameron Ormsby studied late-19th century land speculation in Fresno County and impressively waded into a historiographical debate over the issue. Instead of speculators serving as necessary “middle-men” between small farmers and the state, Ormsby convincingly argues that they in fact handicapped the development of rural communities.
The success of the summer program speaks not only to the enthusiasm and quality of Stanford undergraduates, but more centrally to the direction of the lab and it’s overall working environment. By fostering an attitude of exploration, creativity, and collaboration, the students were not only encouraged, but expected to participate in projects as intellectual peers. The dynamic in the lab was not a traditional one of a faculty member dictating the agenda for the RA’s. In many cases, the students had far greater technical skills and knew more about their specific subjects than the project instructor. The program was structured to give the student’s flexibility and freedom to develop their own ideas, which placed the onus on them to take a personal stake in the wider projects. In doing so, they were exposed to the joys, challenges, and nitty-gritty details of digital humanities research: false starts and dead-ends were just as important as the pivotal, rewarding “aha!” moments that come with any project. Thinking back on internships or research assistant positions, it’s difficult for me to imagine another undergraduate setting that would encourage this kind of wonderfully productive hand-dirtying process. And while I think digital humanities labs hold great potential for advancing humanities scholarship, I have grown more and more convinced that some of their greatest potential lies in the realm of pedagogy.